supported by 7 fans who also own “Tale Of The Drowning Man”
Siguiendo la evolución de Michael Whiteman , encontramos temas con desarrollos más largos introduciendo piano , xilófono y flauta . Buscando un estilo más propio digamos . Igor Huertas
supported by 7 fans who also own “Tale Of The Drowning Man”
A very pleasant album. Like other comments said, if you like the first Camel album (Moonmadness for exemple), you have to listen at this one. calm, relaxing are the first words that come to me
You can listen from the start to the end: it’s like a journey…. in the space! yodablanc
supported by 7 fans who also own “Tale Of The Drowning Man”
Excellent set from this Italian group . Well worth adding to your collection. I always prefer live sets to studio recordings.
There are many great Italian groups - I recommend anything involving Fabio Zuffanti of Finisterre .Phoenix Again are totally different- great spectrum of Italian progressive bands . Nick Bradey
Cerebral palsy curbed his ability to play guitar the conventional way, so Nagoda learned double slide, this is his debut LP.
Bandcamp New & Notable May 8, 2014
With virtuosic guitar-playing and evocative singing, Carl “Buffalo” Nichols returns Black stories to folk and blues. Bandcamp New & Notable Sep 9, 2021
Russell Morris and Rick Springfield pair grave tales with smoldering blues on this Día de los Muertos-inspired collaborative LP. Bandcamp New & Notable Nov 3, 2021
supported by 6 fans who also own “Tale Of The Drowning Man”
"Salmon" is yet another band from the Netherlands, which emphasizes clearly why I keep on reiterating that Dutch prog is one of the best in the world. Continuing a long tradition of highly melodic, yet pleasantly complex symphonic rock that originated in the 70's with bands like "Focus", "Kayak", "Finch", "Solution", and "Lady Lake", just to name a few, this band enchants us with flawless songwriting and a pinch of "Gentle Giant" flavor. As usual in prog, the shorter tracks are much better than the 20-minute epic, which suffers a bit from being stuffed with too many stereotypical phrases that were already boring back in the golden era where they came from. The exquisite quality of the remaining tracks, however, outweighs this little drawback considerably. Sven B. Schreiber (sbs)